Mei-Ting and Friends at St Michael & All Angels, Barnes

On September 24th we launch a brand new series of solo piano and chamber music concerts at the architect-designed community centre at St Michael & All Angels church close to Barnes riverside.

Curated by Mei-Ting, “bewitching” concert pianist and Professor of Piano at London’s Royal Academy of Music who has wowed 7 Star Arts audiences with his performances, the series opens with a recital by Mei-Ting himself, playing Schumann and Brahms. Future concerts feature recent graduates and current star students from the Royal Academy – Leon Chen (piano) Yanyan Lin (cello) and Katya Grabova (piano) – and Dutch-Chinese collaborative pianist Michelle Chow. Programmes include music by Beethoven, Schumann, Rachmaninoff, Ravel and Chopin and proceeds from ticket sales will be donated to the Royal Academy of Music’s hardship fund to support young musicians with limited means.

We hope you will join us at these concerts.

Book your tickets via our Events page

“I’m a balladeer at heart” – interview with Matthew vanKan

Ahead of his Nat King Cole Centenary Celebration at The Jazz Room at The Bull’s Head, we caught up with singer-songwriter Matthew vanKan to find out more about his musical influences and inspirations…..

Matthew vanKan Nat King Cole Centenary Celebration is at The Bull’s Head on Monday 24 June. BOOK TICKETS

Who or what inspired you to pursue a career in music?

I grew up singing and spent years gigging through my 20’s at restaurants and bars, writing and recording my own music and hoping for a record deal that never came. I hadn’t discovered jazz then and it wasn’t until my 30’s that I did. After years of managing a travel company in Brighton I decided to pursue music again for fun and joined a community Gospel Choir. It was such a powerful experience performing again after years of abstinence so after a big concert, when the dust had settled I took to the streets of Brighton with my busking amp and backing tracks. I chose a selection of jazz songs because I felt so comfortable singing them and didn’t feel like some ‘old guy’ trying to rekindle a teenagers dream of being a pop star. It seemed to work. Passers by would pick up my business cards and then a few days later people would call to say they’d seen me singing in The Lanes of Brighton and was I free to come and perform at their wedding, birthday or garden party. I was working full time in an office back then but after a few months of gigging every Friday, Saturday and Sunday I decided to go part-time at work. A few months later I was offered a weekly residency at The Savoy hotel in London (after badgering the booking agent on a weekly basis) and decide to hand in my notice and follow my dream (again). Second time lucky I guess!

Who or what have been the most important influences on your musical life and career?

My Mum, grandmother and church… My Mum because of the look she gets in her eyes whenever she watches me sing. The same applies to my Grandmother who always used to say “you can’t hear the words” when listening to ANYTHING modern. In particular I love Nat King Cole’s articulation. When I was listening intently to his music my Grandmother’s words echoed in my head. You can always understand what Nat King Cole is singing about as his diction is perfect! Church was a big influence because I would sing with the choir there every Sunday throughout my childhood and teenage years. I can’t say I paid much attention to what the priest was talking about half the time BUT I absolutely loved the music AND the acoustics.

What have been the greatest challenges of your career so far?

That’s a really good question and not one I’ve given that much though to as I prefer to focus on moving forward rather than what’s held me back. I guess it’s all a bit of a challenge. Trying to make a living doing something you love is a bit of a double edged sword. You have to think commercially about something you’re so passionate about.  People often think that musicians are happy performing for nothing (or very little) because they’re doing something they love to do. In some cases that’s true but in order to be successful at making a career out of music I think you have to learn to treat your music like a business and not be afraid to talk money, fees for your fellow musicians, riders and reasonable performance times etc. I manage myself and think I learnt a lot when I was employed as the manager of the travel company in Brighton. I’d be lost without my spreadsheets. Ha ha!!

I guess the other challenge for me personally has been to stop caring so much about what other people think of me. It was always something I struggled with in the past (for many reasons – bullying at school one of the main factors) BUT I now truly believe that I’m pursuing something that I’m good at, it’s very authentic and honest for me and I accept that I’m not everybody’s cup of tea but that’s OK. I don’t need EVERYONE to rate me anymore or approve. I just love the fact that I’m always learning and evolving as a performer. That will never get tiring.

Which performances/recordings are you most proud of?

Mmmmmm. I hate recording and haven’t put myself in the studio as much as I should have. It’s something I need to overcome as I’ve been writing my own songs over the last year or so and feel I’m working my way (slowly) towards an album. I gig a lot in noisy bars and clubs or private events where my music isn’t the primary focus. I think I’m always most proud following a show at venues like Pizza Express Jazz Club, The Crazy Coqs and hopefully post Bulls Head. It’s such a special moment in time having the company of an audience at a venue that is focused on listening intently to what you have to say and sing about. I’m such an open-book on stage, often exposing myself emotionally far more than I had planned but it’s so exhilarating doing that. I hope my honesty adds weight to my interpretation and delivery of the songs I choose to sing. I want people to know what and how much the lyrics meant to me otherwise I’m just regurgitating a bunch of jazz standards and not adding anything of my own.

Which particular works do you think you perform best?

I’m a balladeer at heart so love to get my teeth stuck into a love song that tugs at the heart strings. There’s a tune written by Howard Barnes, Harold Cornelius and Dominic John called ‘A Blossom Fell’ that was published in 1954 and a hit for Nat King Cole in 1955 when it was released by Capitol Records. To be honest I didn’t know the song before I’d started planning this Nat King Cole Centenary Celebration. We’d only managed to run it once in a rehearsal but when I performed it for the first time at The Hospital Club in Covent Garden I got really emotional which took me a little by surprise. I think I just got lost in the lyric and it hit me how beautiful and poignant it was. I included the Prince song ‘Sometimes It Snows In April’ in my last show ‘Seasons Of The Heart’. A dear friend of mine had recently taken his own life so I dedicated the song to his memory and got completely engulfed by my feelings right there on stage but somehow managed to power through and pour all of that into my performance. That’s what music and singing is all about for me. I have to find something personal that I can bring to the songs I’ve chosen.

How do you make your repertoire choices from season to season?

Well this Nat King Cole Centenary Show was an obvious choice because I’ve always been such a big fan. I celebrated the music of Frank Sinatra in his centenary year back in 2015 for the same reasons. My show ‘Seasons Of The Heart’ was inspired by a song I’d written called ‘Before It’s Begun’ which is all about a father trying to make sense of and explain the reasons behind acts of terror to his young and still so innocent son. I’d also written another song called ‘Allow Me To Introduce Myself’ which was about an imaginary meeting between me and my Dad who I’ve never met. I wanted to explore all the different facets of ‘love’ and we included a string quartet into the arrangements for the first time. There’s always a personal reason behind my inspiration for any show I create.

Do you have a favourite concert venue to perform in and why?

Can I have two? Pizza Express Jazz Club in Soho and The Crazy Coqs at Brasserie Zedel in Piccadilly. They both have fantastic sound systems, good lighting, a music loving audience sat in a cabaret setting with tables and chairs and waiting staff. It’s quite an old-school concept these days as people are so used to going to larger, all standing music concerts. The audience at Pizza Express and Crazy Coqs are asked to switch off their phones and respectfully refrain from talking during the show. It all helps to set things up perfectly. Hopefully one day I’ll be able to include Ronnie Scotts and The Royal Albert Hall but I’m still waiting for that telephone call!

What is your most memorable concert experience?

Tony Bennett at The Royal Albert Hall. Towards the end of his concert he put his microphone down on top of the piano, stood centre stage and sang ‘I Left My Heart In San Francsico’ a cappella. He was 90 years old at the time and his un-amplified voice filled the concert hall. Just incredible! I hope I’m still doing this in my 90s!!

As a musician, what is your definition of success?

Earning a living from music is an obvious one but there are so many little successes to enjoy along the way. A sold out show, completing a new, original song, a new collaboration, finally nailing the melody of a standard I might have been struggling to learn, finding new notes to sing within songs I’ve been singing forever, discovering a new part of my voice or gaining more control of it, improving, learning. It all adds up and keeps me moving forward.

What do you consider to be the most important ideas and concepts to impart to aspiring musicians?

I’m not sure I’m qualified to answer this question. I still feel like I’m right at the beginning in many ways. I discovered jazz in my mid 30s and I’m still a student in my eyes. Maybe I should be reading the answers to this question left by others on your blog! Ask me again in 10 years and I might have a better answer 🙂

Where would you like to be in 10 years’ time?

Making a guest appearance at The Royal Albert Hall or on Graham Norton’s sofa alongside a huge Hollywood actor or two being interviewed because a song I’ve written and recorded has been used on a movie soundtrack.

What is your idea of perfect happiness?

Lying by the pool in the sunshine on holiday with my beautiful family.

What is your most treasured possession?

I read this question and instantly drew a blank. I’ve got some lovely ‘stuff’ but I don’t think I treasure physical possessions particularly. I think I treasure my memories most – that’s why dementia is such a cruel disease and a cause I’m particularly passionate about.

What is your present state of mind?

Happy and excited to finally be performing at The Bulls Head after all these years!

Meet the Artist – Mei-Ting Sun, pianist

Mei-Ting returns to The OSO in Barnes on 24 June, to wow audiences once again with a generous programme of music by Scriabin, Schumann, Hindemith & Brahms. He is joined in the second half by Michelle Chow.

Who or what inspired you to take up the piano and pursue a career in music?

I started piano when I was three, so the question wasn’t so much who inspired me to take it up but rather who started me on it, and the answer to that would be my parents. I always liked music – I remember marching on the bed when I was 2 or something to the march from Aida – so my parents thought it would be an interesting experiment to have a young child sit at the piano for hours. In terms of a career, it wasn’t anything other than music itself that inspired me. I decided at the age of 16 that I could not live without music in my life every day, and playing music made my happy.

Who or what have been the most important influences on your musical life and career?

There have been many, since different influences played important parts during different periods of my life. The most important influences during my formative years must have been my professor at the time, Dr. Edward Aldwell, who really taught me everything I know about how to study music among other things, and going to the Metropolitan Opera House in New York for 13-15 performances every year from when I was 14 to 18.

What have been the greatest challenges of your career so far?

The ups and downs of a career in music can be extremely challenging, mentally, physically, and financially. Finding a balance not to be too high or too down, and to focus on what I love to do without always having an end meant creating projects for myself, which turned out to be a major source of entertainment. One of the biggest challenges was to learn, perform, and record the complete works of Chopin published during his lifetime, and that is also the series of performances and recordings that I am most proud of.

Which particular works do you think you play best?

This is a most difficult question for me to answer! Of course I feel affinity towards certain composers and works, but I think one of the challenges for me is to get into the minds of every composer I want to play, and to truly – as much as I personally believe I can – understand the works I perform. When that happens, that work will be one that I feel I play best.

How do you make your repertoire choices from season to season?

This is a most easy question. I do that by thinking, what haven’t I played recently and what can make my life richer, more diverse, and more interesting?

Do you have a favourite concert venue to perform in and why?

I can’t say that I do. I like all kinds of venues, ranging from the biggest halls to the smallest salons, but I would perform different kinds of repertoire in each. Acoustically, my favorite is the Auditorio of Zaragoza.

Who are your favourite musicians?

There are too many, so I’ll just list a few of the dead pianists: Alfred Cortot, Walter Gieseking, Myra Hess, Artur Schnabel, Clara Haskil, Sergei Rachmaninoff, William Kapell.

What is your most memorable concert experience?

A recital in Lazienki Park in Warsaw. I ended the recital with the Heroic Polonaise of Chopin, and an older gentleman wobbled to the stage, and told me about how he used to be a soldier, took part in the Warsaw Uprising, and how they played a record of the Heroic Polonaise during the uprising. Then he said, “when you played the Polonaise, it reminded me of the Uprising,” with tears flowing down his cheeks.

As a musician, what is your definition of success?

To love music, to share music, and to share that love of music with as many people as possible.

What do you consider to be the most important ideas and concepts to impart to aspiring musicians?

Work hard, and enjoy working hard. If you can’t enjoy working hard, then there’s no point in working hard, and no point in working in music. That being said, one must also enjoy life and work hard at it.

What is your idea of perfect happiness?

My idea of perfect happiness would involve too many things that’s not under my control, such as world peace, so perhaps a smaller and more achievable definition would be in order here. A moment of perfect happiness: sitting in a quiet bar with good company, a glass of Bruichladdich 40 in hand, 45 minutes after a perfectly satisfying performance of something by Bach or Schumann.

Critically acclaimed pianist Mei-Ting has been heard in many of the world’s greatest concert halls performing an extensive repertoire that includes the complete works for solo piano of Brahms, Chopin, and Debussy, in addition to all 32 Sonatas of Beethoven.

After winning several major competitions, including the first Piano-e competition and the National Chopin Competition of the US, Mei-Ting’s career has taken him throughout most of the US, Latin America, Asia, and Europe, at venues such as Carnegie Hall and Lincoln Center in New York, Auditorio Nacional in Madrid, Tonhalle in Zurich, and Obecni Dum in Prague.

He has collaborated with many major orchestras, including the Orquestra Sinfônica do Estado de São Paulo, the Prague Philharmonia, Orquesta Nacional de España, the Warsaw Philharmonic, and the National Symphony of Mexico, working with eminent conductors including Stanisław Skrowaczewski, Antoni Wit, Jakub Hrůša, Michał Nesterowicz, Lü Jia, Antoni Ros-Marbà and Pablo González.

While performing the complete works of other composers, Mei-Ting transcribed and arranged several orchestral and operatic works, expanding the technical and tonal possibilities of the modern piano. This project, which encompasses selections from R. Strauss’s Rosenkavalier and Salome, Stravinsky’s Firebird Suite from 1919, and a brand new transcription of Ravel’s La valse, has already garnered rave reviews around the world.

Mei-Ting is a Yamaha artist. He is represented by Ibermusica in Spain, Portugal, and Latin America, and Caecilia Artist Management Agency in worldwide.


Meet the Artist – Natasha Hardy, singer-songwriter

I just love performing wherever I have an audience

We talked to Natasha Hardy about influences, inspirations and more ahead of her Lost in Love concert at The Jazz Room on 20 May…..

Who or what inspired you to take up singing and pursue a career in music?

The thought of singing and acting appealed to me from a very early age. I was always the performer in my family and as the middle child, it was the best way to get attention! Singing was a part of normal family life. I enjoyed singing at home, (although most of the time my brothers wanted to shut me up!) My parents always had music playing and were always singing. We sang regularly at our church, so it always felt quite normal to sing. I started to write songs from the age of 13 and had piano lessons from around age 9.

Singing always made me feel good, although I hadn’t ever considered it a career choice.  When I started to pursue my acting career, I took up singing seriously. Singing was originally to add a feather to my bow as an actress. However, unexpectedly, I completely fell in love with the classical technique; I had found a medium that would let me fully express myself. I was able to use my body in a way that allowed me to channel my energy and emotions. I could pour my heart and soul into it. It felt inevitable that this was going to be my career.

Who or what were the most important influences on your musical life and career? 

The most important influences on my career have to be my voice teacher Maryliese Happel, Mark Crayton and my mum.  Maryliese introduced me to classical repertoire and opera.  I had no idea about singing in this genre before I met her and to her I owe a tremendous amount of gratitude.  She taught me solid technique, taught me about my own voice and has always been an inspirational teacher.  She helped me ‘free the beauty of my voice’.

Mark Crayton (Roosevelt University, Chicago) who over the years helped me find my inner confidence through technique and performance master-classes. He has helped me find freedom of expression in my voice.

My wonderful mother, who calls me her little songbird, always wants to hear me sing. From the moment she wakes up, she is always singing around the house. My mother always made it feel really normal to just sing.

What have been the greatest challenges of your career so far? 

Self-belief and self-doubt. I have done lots of work to help myself through these challenges.  My top tips that have helped me include; meditation, positive affirmations, healthy diet & keeping fit.  I am a great believer in healthy body, healthy mind.

I always come back to a couple of sayings, allowing yourself to be both a work in progress and a masterpiece simultaneously, and my favourite quote from Martha Graham:

 “There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. … No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others”  
― Martha Graham 

Which particular works do you think you perform best? 

Puccini; I love his songs, his operas, and his characters.  On the surface they can seem simple, but underneath there is a complexity and strength to them.  The way he writes is inspiring. There is always a leading melody, and long beautiful lines.  As a songwriter, I know how hard it is to make something sound ‘simple’ and that is what I love about his compositions.  I also think I perform my own compositions pretty well, because I have written them. I know every feeling and every memory that has gone into the writing of every line, lyric and melody.  I do hope one day that other singers will want to perform them.

How do you make your repertoire choices from season to season? 

I try to choose pieces that are well known with the audience, combining them with unknown or rarely-performed works

Do you have a favourite concert venue to perform in and why? 

Not really, I just love performing wherever I have an audience.

Who are your favourite musicians? 

Paul Simon & Art Garfunkel, Prince, George Michael, Faithless, Massive Attack, Andre Previn, Richard Rodney Bennet, Michael Nyman, Gabriel Yared, Hans Zimmer, Eric Serra, Puccini, Bellini, Rachmaninov, Debussy, Renee Fleming, Angela Gheorghiu and Maria Callas.

What is your most memorable concert experience? 

My first ever concert.

What do you consider to be the most important ideas and concepts to impart to aspiring musicians?

Practice smart, know your words/notes, know yourself.  Get trained in the business side of things. This can take up a lot of your time!  Be determined. Don’t give up. Try to get a little bit better every day. Make time for family & friends, and most importantly, have fun!

Where would you like to be in 10 years’ time? 

In my beach house in Bermuda.

What is your idea of perfect happiness? 

Any of the following: Summer barbecues, listening to old LPs on a Sunday afternoon with family and friends, roast dinners, long beach walks, my poodle every time I look at her, getting to sleep in a bed with my favourite pillow and a duvet, waking up to another sunny day, the sound of rain, the smell of a forest, the touch of my grandmother’s hand, skiing, ice-skating.

What is your most treasured possession? 

An 18th-century French dressing table which has been ‘dipped and stripped’ about three times, it was my mum’s dressing table from when my parents first got married, and it has finally been restored and I use it everyday.

What is your present state of mind? 

Excited – relaxed – grateful.

‘Lost in Love’ is on Sunday 20 May at 7.30pm in the Jazz Room at The Bull’s Head. Tickets here



Mei-Ting & Friends New Year Concert

with pianists Katya Grabova, Michelle Chow, Leon Chen and Mei-Ting Sun


Tickets £15

Mei-Ting Sun – R. Strauss/arr. Sun Rosenkavalier Waltzes
Mei-Ting Sun – Liszt Rackozy March
Katya Grabova – Ravel/arr. Sun La Valse
Leon Chen – Stravinsky/arr. Sun Firebird Suite (1919)
Mei-Ting Sun – Johann Strauss/Shultz-Evler Blue Danube
Mei-Ting Sun and Michelle Chow – J. Strauss/arr. Sun Radetzky March