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Iconoclassics at The Jazz Room

7 Star Arts announces the launch of a new series of concerts in the iconic Jazz Room at the Bull’s Head

Iconoclassics features leading, critically-acclaimed classical musicians, more at home in the world’s great concert halls than in a jazz club but all happy to break free from the conventional classical music scene. The small size of the Jazz Room creates a special connection between musicians and audience, and allows the musicians to present music in a more accessible and relaxed way.

In keeping with the main focus of The Jazz Room, programmes in the Iconoclassics series will explore links between classical music and jazz, and will include works by Ravel and Gershwin, two composers whose music crossed genres and pushed the boundaries of what we define as “classical music”.

Iconoclassics launches on 14 February 2018 with Classic Valentine – a special concert for Valentine’s Day featuring David Le Page (violin) and Viv McLean (piano). This will be followed on 11 March by a solo concert by internationally-acclaimed pianist Anthony Hewitt, who has been praised for his “fine, poetic and communicative musicianship” (BBC Music Magazine).

This promises to be an exciting and intriguing new series in an intimate and friendly venue.

 

Purists may balk at hearing classical music in a venue normally reserved for jazz, but the small size of the jazz room lends itself to the right kind of concentrated listening and intimacy of expression which this music demands and offers. And David Le Page and Viv McLean create a very special intimacy of their own – these musicians work together regularly and their empathy and mutual understanding is palpable in every note they play.

  • Frances Wilson/The Cross-Eyed Pianist

 

‘Driftwood’ by Klara Smith

A taster of Klara Smith’s beautiful papercuts with music by David le Page, composed in response to Klara’s work, ahead of the concert and exhibition opening on Saturday 4th November at Riverhouse Barn Arts Centre

Book tickets

Chekhov’s Grand Piano comes to Craxton Studios, Hampstead

Saturday 2 June 2018 at 7.30pm

Craxton Studios, 14 Kidderpore Avenue, Hampstead NW3 7SU

Chekhov’s Grand Piano, 7 Star Arts’ newest mixed-grenre production, interweaves the words of the great Russian writer Anton Chekhov with the music of Tchaikovsky, Rachmaninoff and Prokofiev, together with David Le Page’s music inspired by ‘The Seagull’.

Performed by internationally-acclaimed musicians Viv McLean (piano) and David le Page (violin) with readings by celebrated West End actress Susan Porrett

Tickets £20 each, including a glass of Prosecco. Book online using the link below or call 07889 399862

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There are many parallels between the works of Chekhov and the music of his compatriots. Chekhov’s writing is filled with allusions to music, and especially the piano, and some of his plays have piano interludes. Shostakovich noted that Chekhov’s short stories were written in sonata form. Chekhov corresponded with Tchaikovsky, whom he revered, and his friend Rachmaninoff played the piano in Chekhov’s summer home, The White Dacha at Yalta.

Craxton Studios, originally built as an artist’s home and studios, was for many years the home of celebrated pianist and teacher Harold Craxton who created a cultural hub for musicians, writers, poets and actors. The same spirit continues at Craxton Studios today and the house is regularly used for concerts, rehearsals and auditions. It is a fine example of English Arts & Crafts architecture and interior design.

 

“Viv McLean revealed extraordinary originality, superb simplicity, and muscles of steel hidden by fingers of velvet. He plays with the genius one finds in those who know how to forget themselves, naturally placing themselves at the right point to meet the music, this mystery of the moment.”

– Le Monde

“The finesse and fieriness of [David le Page’s] playing is always top-notch, but more than that, his unique sense of creativity infuses everything he does. His own music has a strong personal voice, full of improvisatory flair and independence of thought – and, like his interpretations of the classical repertoire, seems driven by a deeply poetic spirit.”

– The Independent